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91-club-code is Fleda found Mrs. Gereth in modest apartments and with an air of fatigue in her distinguished face—a sign, as she privately remarked, of the strain of that effort to be discreet of which she herself had been having the benefit. It was a constant feature of their relation that this lady could make Fleda blench a little, and that the effect proceeded from the intense pressure of her confidence. If the confidence had been heavy even when the girl, in the early flush of devotion, had been able to feel herself most responsive, it drew her heart into her mouth now that she had reserves and conditions, now that she couldn't simplify with the same bold hand as her protectress. In the very brightening of the tired look, and at the moment of their embrace, Fleda felt on her shoulders the return of the load, so that her spirit frankly quailed as she asked herself what she had brought up from her trusted seclusion to support it. Mrs. Gereth's free manner always made a joke of weakness, and there was in such a welcome a richness, a kind of familiar nobleness, that suggested shame to a harried conscience. Something had happened, she could see, and she could also see, in the bravery that seemed to announce it had changed everything, a formidable assumption that what had happened was what a healthy young woman must like. The absence of luggage had made this young woman feel meagre even before her companion, taking in the bareness at a second glance, exclaimed upon it and roundly rebuked her. Of course she had expected her to stay. From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?".
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🎮 Fleda remembered that she had seen them only once. "Did you see them?" she then ventured to ask. "Give them up to whom?" Mrs. Gereth more boldly stared.!
🏆 She had moreover at present completely recovered her feet, though there was in the intensity of the effort required to do so a vibration which throbbed away into an immense allowance for the young man. How could she after all know what, in the disturbance wrought by his mother, Mona's relations with him might have become? If he had been able to keep his wits, such as they were, more about him he would probably have felt—as sharply as she felt on his behalf—that so long as those relations were not ended he had no right to say even the little he had said. He had no right to appear to wish to draw in another girl to help him to an escape. If he was in a plight he must get out of the plight himself, he must get out of it first, and anything he should have to say to any one else must be deferred and detached. She herself, at any rate—it was her own case that was in question—couldn't dream of assisting him save in the sense of their common honor. She could never be the girl to be drawn in, she could never lift her finger against Mona. There was something in her that would make it a shame to her forever to have owed her happiness to an interference. It would seem intolerably vulgar to her to have "ousted" the daughter of the Brigstocks; and merely to have abstained even wouldn't assure her that she had been straight. Nothing was really straight but to justify her little pensioned presence by her use; and now, won over as she was to heroism, she could see her use only as some high and delicate deed. She couldn't do anything at all, in short, unless she could do it with a kind of pride, and there would be nothing to be proud of in having arranged for poor Owen to get off easily. Nobody had a right to get off easily from pledges so deep, so sacred. How could Fleda doubt they had been tremendous when she knew so well what any pledge of her own would be? If Mona was so formed that she could hold such vows light, that was Mona's peculiar business. To have loved Owen apparently, and yet to have loved him only so much, only to the extent of a few tables and chairs, was not a thing she could so much as try to grasp. Of a different way of loving him she was herself ready to give an instance, an instance of which the beauty indeed would not be generally known. It would not perhaps if revealed be generally understood, inasmuch as the effect of the particular pressure she proposed to exercise would be, should success attend it, to keep him tied to an affection that had died a sudden and violent death. Even in the ardor of her meditation Fleda remained in sight of the truth that it would be an odd result of her magnanimity to prevent her friend's shaking off a woman he disliked. If he didn't dislike Mona, what was the matter with him? And if he did, Fleda asked, what was the matter with her own silly self? "The honor and good name of a man you hate?"!
🔥 Download 91-club-code "Because you're so awfully keen." "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.!🔥